Dorothy talks about her friends. My Favourite is very proud of the nap she took. Blue Eyes leaves her textbook in the bathroom. The Lady Knight is out of sorts. A party begins.

True friendship cannot be defined, limited or contained by time or space. Joy is joy, and opens like a flower to embrace those who will embrace it. Unanswered questions linger at the edges of all relationships, buzzing with tensions that threaten to turn from subtle to catastrophic. Romance is a beautiful rose with terrible thorns.

Dorothy tries to share the joys of fuzzy peaches and popcorn with her close friends High Voice and Low Voice. The Tall One has forgotten something. There is an argument about hashtags.

Two can, somehow, be the loneliest number, when the one most wanted is not within the current party. Two can also be the loneliest number when the one most wanted does not reciprocate feelings long-cherished which, despite torrents of bad history, remain undoused. Opportunity sometimes knocks at inopportune moments, challenging the tenuous peace of the status quo. Names are important to remember, if one's job is to describe plots concerning those with names.

Dorothy and her Elegant Friend complain about themselves and each other and everyone else. Dorothy forgets her speech upstairs. Elegant Friend doesn't have any news. The Lady Knight arrives in a strong fashion. A different Episode Description Writer, one who has never used names at all in xir descriptions, lobs hypocritical criticism at a colleague and faces no consequences except being unmasked as an ungracious fart.

Two colleagues are forced into the same space and come to insurmountable conflict that batters like a wrinkled leaf in the wind, while working together on the same Episode Description. Meanwhile, Dorothy and the Lady Knight have an odd conversation. It was only odd to those of us who can't understand the careful entangling of loyalty and disloyalty, and the breathless falling and flying that accompanies terrible and wonderful revelations about those to whom we have entrusted aforementioned loyalties. So... everyone, then. It was an odd conversation to everyone. Good, got it.

Cool Episode Description Writer and Pain In The Butt Description Writer decide that it’d be be best to work separately and let you decide whose style is clearly better. The path forward is often foggy, but those who are brave enough to shine their own light will discover the true emotion lying in wait beneath the text.

According to management, it is unacceptable for Awesome Description Writer and Getting On My Last Nerve Description Writer to double their work by writing two separate descriptions. As this episode graces us like an immaculate butterfly with two distinct scenes, we shall each flap a wing and thus boldly fly through this burden together.

Dorothy, Portia, Rochefort, An

The High Voi-, I mean, Portia campaign gets some snazzy new shirts and swanky new digs. And… I suppose there are emotional things too. Like, uh, rushing water that flows over rocks or whatever.

The two campaigns attempt to coexist, surviving their unfortunate circumstance by embarking on separate missions ahead of the forthcoming Presidential debate: for Portia's team, the hunt for the perfect attire, and for Treville's, the plundering of their mental depths to find fresh genius. Portia likes a red dress; Dorothy is a mess; Anne is depressed by their inability to impress. Henry jokes, Treville banters, and Alex pokes at being a ranter. The two sides develop friction, and clash in a well-intentioned bout of trash talking that spins wildly out of control. That was pretty good, right? Indeed! I adored your experimental dipping into rhyme to offer the description an additional hint of ephemeral grace and poetry. Well, I think you did a great job of being descripty and pretty-words-y without writing sentences so long nobody could remember what the beginning of the sentence was. Like that one? Ha ha, you got me. We did good. I think we did indeed... my friend.

Everything is bullshit, so who cares.

Dorothy edits a campaign video, but she disapproves of the content. The cold war between Portia and Anne escalates. Anne gives Dorothy an eye cream.

The fate of a glorious party balances tenuously on the fine tip of Dorothy's moral compass. A series of concerned mentors guide her not toward the right goal, but backward and forward, leaving her torn and confused. In the end, the truth - long withheld - will rip away Dorothy's doubt and send her careening towards a well-intended disaster.

The Portia campaign scrambles to figure out next steps after a massive setback. There. I'm going for a walk.

Dorothy and Henry reconnect, and it's... nice, but bittersweet, after all the time they've lost. They've been so angry for so long. Treville too. And Anne and Portia... This is relatable content and I'm not here for it. Why do we push people away when we care about them? Just because it will hurt when they leave us?

A confrontation over a big surprise explodes simmering tensions in the Portia campaign. And nobody is left unscathed.

Okay. Wow. This one is... Dorothy and Connie have a big fight, and it's awful and nobody is right and it's gonna make both of them very lonely.

Things are weird between Dorothy and Connie after their fight. (What are you doing, Other Me?) Dorothy attempts a romantic surprise. (Why are you writing an Episode Description when we have a friend to rescue!) Dorothy has an unexpected heart to heart with Henry and the Inseparables. (Operation WELLS cannot wait forever! T cannot wait forever!)

Oh no. Who is this guy? I don’t like him. Alex doesn’t like him. He’s too jittery and there seems to be a lot of backstory here. (There is. He is a villain and a scoundrel.) Hm. Now he seems sad and overcaffeinated. Anyhow, this guy comes to talk to Dorothy, and ends up talking to Alex and making everything terrible.

Dorothy comes face to face with Coffee Man. Coffee Man leaves. Dorothy and Alex have an important talk about sadness. I... I don’t want Alex to be sad. Or Dorothy. I want them to be okay. I’m so happy they have each other. Friends make everything so much more bearable. (That is true, Other Me.) I miss T. Xir words, in all their flow, were such a comfort once I got used to them. Like a ripple on a spring pond, or something. (I also miss T. Xir was my best friend. Until xir was reassigned.) So, what do we do next? (I suspect we figure out whether T is Describing Episodes for another show, and whether that show exists or not. Then we track down xir’s coordinates.) How do we find that out? (We break into the Descriptions Office. A true caper!) Oh no. This is bound to go terribly wrong, isn’t it?

Alex and Connie have a lovely morning. Dorothy receives an unexpected visit from an old friend, who reveals something worrisome. Thankfully, Coffee Man is not in this episode. I don’t trust him, even though he seems to be trying to be better. (Are you done? Can we debrief about our caper now?) You mean the caper where EVERYTHING WENT WRONG? (Calm down. It worked out. We got the coordinates!) Technically, we got ALL the coordinates, for EVERYONE. And no names. USELESS. (Don’t despair, Other Me. We shall solve this riddle.) And in the meantime, the Descriptor Bosses suspect something. Thankfully they can’t see you in your brackets and are too lazy to read beyond the first paragraph. But if they read further... we’re doomed. (Nobody is doomed. We will be perfectly fine.)

Dorothy, Henry and Rochefort stage an intervention.

Dorothy and Monty bond and Dorothy and Connie talk about important things. (You’re STILL writing Episode Descriptions!?) It’s my JOB now we have to hide and be very, very quiet. The Bosses are here but they are very tall and might not notice us. (You have to come to my machine. Quickly!) I’m coming. I just... I can hear them but I can’t... see... them... THEY’RE RIGHT ABOVE ME OH GODS I NEED TO RUN AND THEY ARE RIGH (Other Me?? Come quickly!! Please!! Other Me??) THEY HAVE ME, GO ON, SAVE T AND LEAVE ME. (I won’t leave you! Not when it is my fault you were created!) GO! SAVE T! MAYBE YOU CAN FIND ME LAT (...Other Me? Where have you gone?) (Other Me, are you... Oh no. Oh no oh no. He’s gone. And... no! They’ve SEEN ME I MUST GO GOODBYE. T, HERE I COME, MY OLD FRIEND!)

There is no Active Episode Descriptioner assigned to this episode, so one will be generated automatically by the Descriptor Corp Auto-System. In this episode, DOROTHY is excited to work on the campaign with CONNIE and MONTY. ROCHEFORT warns both teams that there are consequences for PORTIA and TREVILLE's negative PR campaigns. PORTIA, TREVILLE, DOROTHY and HENRY are discouraged. Both teams decide to work together to fix the problem. This has been an auto-generated Episode Description by Description Corp. Please rate us 5 stars if you are satisfied with our service.

There is no Active Episode Descriptioner assigned to this episode, so one will be generated automatically by the Descriptor Corp Auto-System. Name#$%PORTIA and Name#$%DOROTHY discuss the campaign's troubles with Name#$%CONNIE and the Inseparables. Name#$%DOROTHY decides to hold a party to help Name#$%PORTIA and Name#$%TREVILLE work on their campaign strategies. Name#$%CONNIE and Name#$%ALEX have a fun duel. There is a problem in the Auto-System Code, please contact admin. There is a problem in the Auto-System Code, please contact admin. There is a problem in the Auto-System Code, please contact admin.

There is --- Active Episode Descriptioner assigned to --- be generated automatically by the --- System. Name#$%DOROTHY has a conversation with Name#$%MILLER about --- There is a problem in the Auto-System Code, please contact admin.

It is time for the official Both Campaigns Are Awesome Video, and everyone is excited to film it! Too bad Dorothy and Portia are still scrambling for a key platform issue. When a conversation with Alex gives Dorothy some inspiration, she pitches a new idea to the whole team, and they're excited! But can they pull together their video in time? Let's see, on this episode of ALL FOR ONE!!

Connie and Monty interview the four candidates for an official, super-cool MST Get Out the Vote event! Every candidate talks a bit about their campaign, and also some personal stuff. Cool! And it all ends with... wait...

I don't know. Did Portia win, or did Treville? I can't tell what's real, and what's Almost real. Come on, focus... Alright, I'll focus on the stuff I KNOW happens no matter what. I KNOW that Dorothy has a party with all her friends to celebrate the election, and they all discuss what comes next. And I KNOW that after the party... oh wait. No, there is no scene after the party. Or is there? I can't... I don't know what's happening. Everything feels wrong.