Laurie Taylor talks to Michael Frayn, who discusses the timeless popularity of his 1982 farce Noises Off, the differences between writing for the stage and prose fiction and how his work has helped him overcome his inner fears.
Laurie Taylor talks to Michael Frayn, who discusses the timeless popularity of his 1982 farce Noises Off, the differences between writing for the stage and prose fiction and how his work has helped him overcome his inner fears.