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Graham Page

Graham Page is a British visual effects supervisor at Framestore London. He began working in visual effects at DNEG in 2006. Before that, he spent some time working in editorial on factual entertainment; he has described having always held a broad interest in filmmaking, from sound and music design to prop making. At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed. In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka. Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.

  • 19فيلم
  • 2007بداية المسيرة

أبرز الأعمال

السيرة الذاتية

Graham Page is a British visual effects supervisor at Framestore London. He began working in visual effects at DNEG in 2006. Before that, he spent some time working in editorial on factual entertainment; he has described having always held a broad interest in filmmaking, from sound and music design to prop making. At DNEG, Page worked his way up from roles such as 2D-compositing supervisor and compositing supervisor to full visual-effects supervisor, contributing to a wide range of high-profile films. His credits include major franchise and tentpole films such as Avengers: Infinity War, Avengers: Endgame, Captain Marvel, and Assassin's Creed. In 2020, Page joined Framestore as a VFX supervisor, a move that followed 14 years at DNEG. At Framestore, he immediately took on lead responsibilities, notably in The Midnight Sky (2020), where he supervised high-end digital face replacements and oversaw the creation of a complex space sequence. More recently, he served as overall VFX supervisor on Wonka. Page's work has been recognised by the Visual Effects Society (VES). He won a VES Award for Outstanding Created Environment in a Live Action Feature Motion Picture for Inception (2010), specifically for the "Paris Dreamscape" environment. He won again for Interstellar (2014), for Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture.

قائمة الأعمال

ملصق The Sheep Detectives
visual effects supervisor
2026
ملصق Wonka
visual effects supervisor
2023
ملصق Matrix Resurrections
visual effects supervisor
2021
ملصق Sonsuz
visual effects supervisor
2021
ملصق Gece Yarısı Gökyüzü
visual effects supervisor
2020
ملصق Avengers: Son Oyun
2019
ملصق Captain Marvel
visual effects supervisor
2019
ملصق Assassin's Creed
visual effects supervisor
2016
ملصق Mission: Impossible - Rogue Nation
2015
ملصق Yıldızlararası
compositing supervisor
2014
ملصق Evrim
compositing supervisor
2014
ملصق Dünyanın Sonu
2d supervisor
2013
ملصق Mürekkep Yürek
digital compositor
2008
ملصق Kara Şövalye
compositing artist
2008
ملصق Hellboy II: Altın Ordu
digital compositor
2008
ملصق Doomsday
digital compositor
2008